A look at upcoming exhibitions and art shows across Tokyo for the month of February. Whether you want to see some traditional Japanese art or a modern exhibit, here’s everything worth checking out.
Tokyo Art Shows in February
Gachagacha Exhibition in Roppongi
The Gachagacha Exhibition at the Roppongi Museum will feature over 200 capsule toy machine varieties from 13 different manufacturers.
| Date & Time | Feb 6-Mar 2・10 a.m.–8 p.m.・last admission at 19:30; exhibit closes at 17:00 on the last day (last admission at 16:30) |
| Price | adults: ¥1500, high school students: ¥1300, junior high and elementary school students: ¥1100 |
| Location | Roppongi Museum |
As the Sun Rose Exhibition
Ultra Super New’s new exhibition will display the paintings of Alejandro M. Lopez, a first hand account of the devastating Eaton Canyon fire.
| Date & Time | Feb 7-27・1:30–7 p.m.・Tuesday–Friday by appointment only, Saturday open to all, Closed on Sunday and Monday |
| Price | Free |
| Location | UltraSuperNew KURA |
YBA & Beyond: British Art in the 90s from the Tate Collection
One of the most highly-anticipated Tokyo exhibitions of the year, “YBA & Beyond: British Art in the 90s from the Tate Collection” is a must-see show this spring. The transition from the late 80s into the 90s was a volatile time for Britain, and the art world reflected that friction. Following the Thatcher era, a loose collective of artists — now synonymous with the Young British Artists (YBAs) — emerged to challenge artistic norms through bold, experimental practices and an openness to new materials and processes. The exhibition features approximately 100 works by a star-studded line-up, including Damien Hirst, Tracey Emin, Lubaina Himid and Steve McQueen.
| Date & Time | Feb 11-May 11・10 a.m.–6 p.m.・Fri & Sat: Open Until 20:00 |
| Price | Adults: ¥2,300 | College: ¥1,500 | High School: ¥900 | Junior High & Under: Free |
| Location | The National Art Center, Tokyo |
Makoto Takahashi Forest Party Exhibition
Artspace Skygallery will host an exhibition featuring Makoto Takahashi, with over 130 original pieces and previously unpublished works.
| Date & Time | Feb 11-Mar 1・12–6 p.m. |
| Price | Free |
| Location | Artspace Skygallery |
DIG Shibuya 2026: A Technology x Art Festival in the Heart of Tokyo
DIG Shibuya 2026 returns, with three days of immersive art and technology experiences on display across Shibuya.
| Date & Time | Feb 13-15 |
| Price | Free Entry (with select programs requiring paid tickets) |
| Location | Various Locations, Shibuya |
Poshichi: The Awful Thing My Cat Did to Me Exhibition
Galerie Geek/Art will host an exhibition by the Poshichi, featuring comedic cat illustrations in the style of traditional Japanese artwork.
| Date & Time | Feb 14-Mar 8・11 a.m.–7 p.m.・Closed on Tuesdays |
| Price | Free |
| Location | Galerie Geek/Art |
15 untitled works in concrete, 1980–84. Permanent collection, The Chinati Foundation, Marfa, Texas. Photo by Florian Holzherr, courtesy The Chinati Foundation. Donald Judd Art © 2026 Judd Foundation/ARS, NY/JASPAR, Tokyo.
Judd | Marfa
Tracing the radical career of Donald Judd (1928-1994), this show dives into how a painter from Missouri ended up redefining 20th-century art through his massive, three-dimensional “stacks” and boxes. It centers on his big move from the New York art scene to the desert of Marfa, Texas, where he turned old buildings into permanent homes for his work. For Judd, art wasn’t just something you hung on a wall. It was about the entire space it lived in — a philosophy that still shakes up the worlds of architecture and design today. Mixing his early 1950s paintings with his famous minimalist structures, the exhibition gives a behind-the-scenes look at Judd’s obsession with spatial integrity through personal drawings, videos and plans. Visitors can also witness Judd’s long-standing connection to Japan, through the section documenting his 1978 show at Watari-um, organized by museum founder Shizuko Watari.
| Date & Time | Feb 15-Jun 7・11 a.m.–7 p.m.・Closed on Mondays |
| Price | ¥1,300–¥1,500 |
| Location | Watari-um |
Connecting with Myakumyaku Exhibition
Miraikan will be hosting a look back exhibition featuring technology from Osaka Expo that will be shown in Tokyo for the first time.
| Date & Time | Feb 18-Apr 13・10 a.m.–5 p.m.・Starts from 13:00 only on the first day, February 18 |
| Price | Free |
| Location | The National Museum of Emerging Science and Innovation Japan (Miraikan) |
Robert Nava, "Song of Armor" (2025) © Robert Nava, courtesy Pace Gallery.
Robert Nava: ‘Supercharger’
Robert Nava’s first solo exhibition in Japan introduces a world where childhood imagination meets existential chaos. The exhibition showcases a new series of paintings and works on paper featuring a chimerical cast of dragons, angels and metamorphic beasts. Inspired by everything from prehistoric cave art to techno music, Nava’s style is intentionally raw — a blend of spray paint, acrylics and grease pencil — rendering scenes that feel both playful and unsettling.A graduate of Yale’s MFA program, Nava stripped away traditional academic conventions to develop a style often associated with the irreverent “bad painting” movement. Despite the seemingly chaotic application of color and graffiti-like marks, his practice is deeply rooted in a daily discipline of drawing and sketchbook invention. His works often reference classical mythology and art history, and are now held in collections at the Art Institute of Chicago and MoMA Paris.
| Date & Time | Feb 19-Apr 1・11 a.m.–7 p.m.・Open Until 18:00 on Sundays, Closed Mondays |
| Price | Free |
| Location | Pace Gallery Tokyo |
Kobayashi Kiyochika, "Tokyo New Bridge in the Rain" (1876, Meiji 9). Smithsonian's National Museum of Asian Art. © Kobayashi Kiyochika / National Museum of Asian Art, Smithsonian Institution, Robert O. Muller Collection, S2003.8.1102.
From Kiyochika to Hasui: Ukiyo-e and Shin-Hanga Woodblock Prints from the Smithsonian’s National Museum of Asian Art
In a historic exchange marking the 250th anniversary of the United States, the Smithsonian’s National Museum of Asian Art is sending 130 rare woodblock prints and photographs to Japan. Many of these works are part of the world-renowned Robert O. Muller Collection in Washington, D.C. Muller, a pivotal art dealer, spent decades assembling an archive of 4,500 pieces that introduced the Japanese “new print” movement to the American public. The exhibition serves as a tangible record of how American stewardship helped preserve these delicate works during the 20th century. The collection explores the twilight of the woodblock tradition — a period when artists adapted to the rise of photography by experimenting with light and shadow. You can see this evolution in the work of Kobayashi Kiyochika, whose kosen-ga (light-ray paintings) abandoned traditional bold outlines to capture the soft, atmospheric effects of dawn, fire and gaslight. This technical foundation was later refined by Kawase Hasui, who mastered complex over-layering and color gradation to evoke the depth of Japanese landscapes. By placing these prints alongside early Meiji-era photographs, the exhibition illustrates how the two mediums influenced one another.
| Date & Time | Feb 19-May 24・10 a.m.–6 p.m.・Fridays until 20:00 | Closed Mondays, except April 6, April 27 and May 18. |
| Price | ¥1,000–¥2,300 |
| Location | Mitsubishi Ichigokan Museum |
© Nacasa & Partners Inc. / Courtesy of Fondation D'Entreprise Hermès
Andrius Arutiunian: ‘Obol’
This March, Ginza’s Maison Hermès Le Forum presents “Obol,” the first Japanese solo exhibition by artist and composer Andrius Arutiunian. Arutiunian explores the relationship between music and distorted forms, using hypnotic soundscapes and sacred motifs to create installations that are at once mythological and futuristic. The exhibition infuses the gallery space — a glass-encased architectural marvel worth admiring in itself — with a sleek, underground rave-esque aesthetic. It centers on a series of new works inspired by bitumen, a viscous, pitch-black petroleum substance that once held holy significance but is now used for secular purposes. Through this dark material, Arutiunian pays homage to Charon, the mythological ferryman of the dead, scattering obol — ancient Greek silver coins — and serpentine imagery throughout the space.
| Date & Time | Feb 20-May 31・11–12 a.m.・Closed Wednesdays |
| Price | Free |
| Location | Maison Hermès Le Forum |
Dai Tamagotchi 30th Anniversary Exhibition
Celebrating its 30th anniversary, the Tamagotchi Exhibition will look back at the toy's global popularity and technological development.
| Date & Time | Jan 7-Feb 2・10 a.m.–8 p.m.・Last admission is 30 minutes before closing |
| Price | ¥1800 for adults and university students, ¥1300 for high school students, ¥800 for elementary and junior high school students |
| Location | Roppongi Museum |
Kusama Yayoi, "Macaroni Coat" (1963). Mixed media, 118.5×80.3×12.0 cm. Itabashi Art Museum ©YAYOI KUSAMA
Anti-Action: Artist-Women’s Challenges and Responses in Postwar Japan
During the 1950s and 60s in Japan, female artists initially gained prominence in the avant-garde scene, supported by movements like art informel. However, the subsequent introduction of “action painting” — a style closely associated with masculine ideals of boldness and strength — led to the marginalization of women painters from critical discussion. This exhibition seeks to reinterpret modern and contemporary Japanese art history by adopting the “anti-action” perspective, presenting artists such as Yayoi Kusama, Atsuko Tanaka and Hideko Fukushima, and many others who have been traditionally overlooked in art history.
| Date & Time | Dec 16, 2025-Feb 8, 2026・10 a.m.–5 p.m.・Fri and Sat until 20:00 |
| Price | Adults ¥2,000 / College ¥1,200 |
| Location | The National Museum of Modern Art, Tokyo |
| More Info | includes admission fee for MOMAT Collection |
Marina Perez Simão, "Untitled / Sem Título," 2025 © Marina Perez Simão
Pace Gallery Tokyo: Marina Perez Simão & Tomie Ohtake
Brazilian artist Marina Perez Simão is holding her debut solo exhibition in Japan at Pace Tokyo, with a new series of landscape-inspired abstract paintings. Known for her vibrant, lyrical compositions that blur interior and exterior worlds, Simão’s work explores emotion, memory and place. The exhibition’s pieces are linked by the use of indigo, a deep shade with centuries of tradition in Japan. Her works are displayed in dialogue with paintings and sculptures by the late Japanese-Brazilian artist Tomie Ohtake, who she cites as a key influence. Born in Kyoto in 1913, Ohtake immigrated to Brazil in 1936, eventually becoming one of the country’s most celebrated modernists. Her works employed both organic forms and structured geometries to abstract natural landscapes and phenomena.
| Date & Time | Nov 4, 2025-Feb 11, 2026・11 a.m.–7 p.m.・Open Until 18:00 on Sun, Closed Mon. 19:00-20:00 Appointment Only |
| Price | Free |
| Location | Pace Gallery Tokyo |
Kimura Shohachi, "Shinjuku Station" (1935). Private Collection, image courtesy of Sompo Museum.
Shinjuku: The City of Modern Art
To celebrate its 50th anniversary, the Sompo Museum of Art is turning its lens toward its own backyard: Shinjuku.
| Date & Time | Jan 10-Feb 15・10 a.m.–6 p.m.・Closed Mondays unless Monday is a national holiday, in which case closed Tuesday. Fridays Open Until 20:00 |
| Price | ¥1,100-1,500 / High School and Under Free |
| Location | Sompo Museum of Art |
Edgar Degas, "The Bellelli Family" (1858-1869) Oil on Canvas, Musée d'Orsay, Paris © photo: C2RMF/Thomas Clot. From "Impressionist Interiors" Exhibition
Impressionist Interiors: Intimacy, Decoration, Modernity
While impressionism is almost synonymous with sun-drenched landscapes, this exhibition focuses on the domestic side of the movement.
| Date & Time | Oct 25, 2025-Feb 15, 2026・9:30 a.m.–5:30 p.m.・Closed Mondays unless Monday is a national holiday, in which case closed Tuesday, and Dec. 28–Jan.1. Fridays, Saturdays 9:30–20:00 |
| Price | Door ¥1,000-2,300 / Advance ¥900-2,100 / Junior High and under Free |
| Location | National Museum of Western Art, Tokyo |
Sam Falls, "There is Nothing You Can See That Is Not a Flower, There is Nothing You Can Think That Is Not the Moon (Bashō)". Glazed ceramic with glass in brass frame, flowers, water. 83.2 x d. 6.8 cm ©︎ Sam Falls
Sam Falls: Solo Exhibition
For his latest show at Tomio Koyama, Sam Falls is bringing the outdoors in — quite literally. Falls has spent years perfecting a “symbiotic” way of making art. Instead of using a camera to take a picture of a forest, he takes the canvas to the forest; he lays it out on the ground, scatters local plants across the surface and sprinkles them with dry pigments. Then, nature takes over: whether it’s a light morning mist in Los Angeles or a heavy rainstorm, the weather acts as the paintbrush, melting the colors around the plants to create “primary source” images that feel like ghosts of the landscape itself. This exhibition feels especially connected to Japan, featuring a new “Ikebana” series inspired by his time studying traditional flower arrangement in Tokyo. These ceramic pieces feature vase-like elements for installing fresh, local flowers that change with the seasons — which you can catch a whiff of as soon as you enter the gallery space.
| Date & Time | Jan 24-Feb 28・11 a.m.–7 p.m. |
| Price | Free |
| Location | Tomio Koyama Gallery Roppongi |
'Machu Picchu and the Golden Empires of Peru' Exhibition
The Machu Picchu exhibition will show over 130 artifacts from ancient Andean civilization, some being exhibited in Japan for the first time.
| Date & Time | Nov 22, 2025-Mar 1, 2026・10 a.m.–6 p.m.・Friday, Saturday and the day before a holiday: 10:00-20:00 |
| Price | ¥2800 |
| Location | Mori Arts Center Gallery |
Ukiyo-e Ojisan Festival
Ota Memorial Museum of Art's exhibition themed around middle-aged men, will have over 150 works by artists including Hiroshige and Hokusai.
| Date & Time | Jan 6-Mar 1・10:30 a.m.–5:30 p.m.・last admission at 17:00 |
| Price | Adults ¥1000, university and high school students ¥700, junior high school students and under: free |
| Location | Ota Memorial Museum of Art |
Installation view of REINHARD PODS, "Licht Jain" (1991). Oil on canvas. Courtesy of Fergus McCaffrey Tokyo.
Reinhard Pods: Bilder 1979 - 2024
For his debut exhibition in Asia, German artist Reinhard Pods brings the grit and high-voltage energy of the 70s and 80s underground scene to Fergus McCaffrey Tokyo’s newly expanded Aoyama space. Pods’ story reads like a rock-and-roll odyssey: after studying in West Berlin, he landed in a New York loft in 1977, spending his nights at legendary clubs like CBGB’s watching the Ramones and Talking Heads. Returning to Berlin, he settled right into the heart of the Kreuzberg punk scene. This “urban expressionism” is baked into his canvases — a raw, cacophonous collision of street art, pop and abstract expressionism.After working in relative anonymity for decades, Pods’ recent work shows the kind of self-assurance that only comes from years of flying under the radar. His paintings are intentionally rough and unpolished, ditching clean conceptualism for a mix of oil paint, watercolor and even spray paint. This exhibition features 15 works spanning from 1979 to 2025, offering a rare look at an artist who influenced a generation — alongside names like Jean-Michel Basquiat and Martin Kippenberger — but chose to stay out of the spotlight.
| Date & Time | Jan 24-Mar 7・11 a.m.–7 p.m.・Closed Sundays & Mondays |
| Price | Free |
| Location | Fergus McCaffrey Tokyo |
Atelier Muji 'Listen to the Fragrance' Exhibition
Atelier Muji Ginza will hold a special exhibition about fragrance; exploring olfaction lifestyle, history, experience, editing and language.
| Date & Time | Dec 19, 2025-Mar 15, 2026・11 a.m.–9 p.m. |
| Price | Free |
| Location | Atelier Muji Ginza Gallery |
Daniel Chau, "Narrative" (2024). Courtesy of Kikuchi Biennale
Kikuchi Biennale XI: ‘The Present of Ceramics’
Held every two years since 2004, the Kikuchi Biennale is a contemporary ceramics competition dedicated to promoting the art form.
| Date & Time | Dec 13, 2025-Mar 22, 2026・11 a.m.–6 p.m.・Closed Mondays unless Monday is a national holiday, in which case closed Tuesday, and Dec. 28–Jan.1 |
| Price | ¥500–¥1,100 |
| Location | Kikuchi Kanjitsu Memorial Tomo Museum |
The Small Beauty of Taisho Romance: The World of Illustrated Envelopes Exhibition
The Takehisa Yumeji Museum will display ebu-tou illustrated envelopes, highlighting artwork of the Taisho and early Showa eras.
| Date & Time | Jan 3-Mar 29・10 a.m.–5 p.m.・last admission at 16:30 |
| Price | Adults: ¥1200 | University and high school students: ¥1000 | Junior and elementary school students: ¥500 |
| Location | Takehisa Yumeji Museum |
Title Unknown, 1950s © Estate of Shigeru Onishi, courtesy of MEM.
Onishi Shigeru: Photography and Painting
This is the first major retrospective of Onishi Shigeru (1928-1994), a mathematician who revolutionized Japan’s postwar art scene. As a researcher at Hokkaido University, he began applying his knowledge of topology — the study of shapes and spaces that remain unchanged under continuous deformations — to photography and ink painting, creating works that transcended traditional artistic boundaries. In an era dominated by realism, his photographs were intensely intricate, using multiple exposures, solarization and boiling developers to intuit the esoteric concept of “superinfinity.” The exhibition also highlights his transition into abstract ink painting during the 1950s, a period when the Informel movement — “unformed” art that favored spontaneous and intuitive abstraction over geometrical abstraction — was sweeping through Japan. Onishi’s ink compositions were discovered by Michel Tapié, the French critic who coined the term, who was struck by their undulating lines and immense power. Following major acquisitions by MoMA and acclaim around the world, the retrospective brings together over 1,000 of Onishi’s photographs and paintings, as well as mathematical manuscripts.
| Date & Time | Jan 31-Mar 29・10 a.m.–6 p.m.・Closed on Mondays, Until 20:00 on Fridays |
| Price | ¥1,100–¥1,300 |
| Location | Tokyo Station Gallery |
Haikara Modern Hakama Style Exhibition
The Yayoi Museum will host an exhibition on the evolution of women's fashion through art and garments from the Meiji era to the present.
| Date & Time | Jan 3-Mar 29・10 a.m.–5 p.m.・last entry at 16:30 |
| Price | adults: ¥1200, university and high school students: ¥1000, junior high school and elementary school students: ¥500 |
| Location | Yayoi Museum |
| More Info | Closed on Mondays and on February 24 |
Hiroh Kikai, "Tamasaburo Bando in Kamikakete Sango Taisetsu (The Lover's Pledge)" (1976) © Hiroh Kikai
Hiroh Kikai Photo Exhibition: ‘Persona – Tamasaburo Bando’
Long before he became a titan of Japanese photography, Hiroh Kikai spent the better part of 1976 trailing a young kabuki actor.
| Date & Time | Jan 5-Mar 31・10 a.m.–7 p.m.・until 16:00 on March 31 |
| Price | Free |
| Location | Fujifilm Square Photo History Museum |
Nils Blommér, "Meadow Elves" (1850). On display until April 12 at Tokyo Metropolitan Art Museum. Image: Wikimedia Commons.
Masters of Swedish Painting from Nationalmuseum, Stockholm
This is a rare window into the Golden Age of Swedish Art (1880-1915), a transformative era when a young generation of painters moved beyond French naturalism to forge a distinct national identity. After studying abroad, these artists returned to Sweden to capture the hidden radiance of their homeland, blending realism with a lyrical, emotional depth. Focusing on themes of nature, light and the intimacy of daily life, the collection highlights the cultural roots of Nordic well-being and the unique aesthetic sensibility of Northern Europe. In collaboration with the Nationalmuseum, Stockholm, the exhibition marks the first major survey of its kind in Japan, featuring 80 works by iconic figures like Carl Larsson and August Strindberg. Visitors can expect an immersive journey through the evolution of Swedish painting, from its realistic foundations in the 1880s to the atmospheric, soulful landscapes that have recently garnered international acclaim.
| Date & Time | Jan 27-Apr 12・9:30 a.m.–5:30 p.m.・Closed on Mondays, except February 23. until 20:00 on Fridays |
| Price | ¥1,300–¥2,300 |
| Location | Tokyo Metropolitan Art Museum |
Robert Doisneau Photography Exhibition
Robert Doisneau once famously said, “Paris is a theater where the price of admission is time wasted.” Known as the “fisherman of images,” the beloved French photographer spent his life patiently waiting for the small, unscripted dramas of everyday life to unfold before his lens. This exhibition, created with the full cooperation of his family’s atelier, brings together about 40 carefully selected prints that showcase “Doisneau Theater.” From his iconic, romantic snapshots of Paris to the suburbs where he got his start, Doisneau’s works are united by a gentle sense of humor and a love for humanity. Though he insisted throughout his life that he was not an artist, Doisneau’s influence on the history of photography is massive; he is widely considered a pioneer of humanist photography, elevating the poetry of everyday life to an art form. The collection features his recurring favorite subjects: playful children, fellow artists who defined the era and the ordinary people of Paris. Even years after his death in 1994, these images feel surprisingly fresh.
| Date & Time | Jan 30-Apr 12・11 a.m.–8 p.m. |
| Price | Free |
| Location | Art Cruise Gallery by Baycrew’s |
Taro Gomi Picture Book World Exhibition
Explore the world of picture books at the Picture Book World Exhibition featuring Gomi Taro, author and illustrator of over 400 books.
| Date & Time | Aug 8, 2025-May 27, 2026・10 a.m.–6 p.m. |
| Price | Free |
| Location | Mikka Lirio Ichibankan |
| More Info | A separate Mikka admission fee is required for other in-house exhibits |
Left: Nawa Kohei, PixCell-Deer#74, 2024. Right: PixCell-Deer#72(Aurora), 2022. Installation view, SPRING RISING, Pola Museum of Art, Hakone, Japan, 2025-26. Photo: Ken Kato
Pola Museum of Art: Spring Rising
This exhibition presents works inspired by the landscapes of Hakone and other places along the Tokaido route.
| Date & Time | Dec 13, 2025-May 31, 2026・9 a.m.–5 p.m. |
| Price | ¥2,200 |
| Location | Pola Museum of Art |
Tokyo Exhibitions in February
Tess Smith-Roberts Pop-Up
Known for fun and colorful illustrations, London-born and Tokyo-based artist Tess Smith-Roberts will hold a pop-up event at the Ginza Loft.
| Date & Time | Feb 1-Mar 1・11 a.m.–9 p.m.・closes at 20:00 on sundays |
| Price | Free |
| Location | Ginza Loft |
Okumura Togyū, "Rabbit", Yamatane Museum of Art
Love: Japanese Paintings of Adorable Things
This winter, Yamatane Museum of Art’s diverse collection of modern and contemporary nihonga warms visitors’ hearts. The exhibition, perfect for viewing with your beloved, showcases how artists have captured the many forms of love in our lives — romance, familial love, compassion toward animals and even oshikatsu fandom. Aptly, the exhibition is titled “Itoshii” in Japanese, an adjective that encompasses various feelings of affection, tenderness and wistfulness. Among the displayed works are Kawasaki Kotora’s painting of a child dreaming of his hometown, Okumura Togyu’s portraits of rabbits and Kaburagi Kiyokata’s depictions of tragic romance.
| Date & Time | Dec 6, 2025-Feb 15, 2026・10 a.m.–5 p.m.・Closed Mondays, Except Jan 12; Closed Dec 29 - Jan 2, Jan 13 |
| Price | Adults ¥1,400 / Students ¥500 - 1,100 / Middle School and Under Free |
| Location | Yamatane Museum of Art |
Roppongi Crossing 2025: What Passes Is Time. We Are Eternal.
The Roppongi Crossing series is a triennial, co-curated exhibition at the Mori Art Museum, launched in 2004 to capture the current state of Japan’s contemporary art scene. The eighth edition, featuring 21 artists and groups, explores how art can shift and diversify our sense of time — whether it be personal, geological and social. The exhibition spans a diverse range of media, from painting and video to crafts, zines and community projects. Some highlights include A.A. Murakami’s immersive installation using fog and light, Takuro Kuwata’s bold, colorful interpretations of historic ceramic techniques and Kelly Akashi’s intricate glass sculpture.
| Date & Time | Dec 3, 2025-Mar 29, 2026・10 a.m.–10 p.m.・Until 17:00 on Tue, and Dec 8 (Mon). Open until 22:00 on Dec 30 (Tue) |
| Price | Adults ¥2,000 / Over 65 ¥1,700 / Students ¥1,400 / Middle School and Under Free |
| Location | Mori Art Museum |
| More Info | on Weekends & Holidays - Adults ¥2,200 / Over 65 ¥1,900 / Students ¥1,500 |
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Updated On February 3, 2026
