Seb Janiak: Unseen
In a photographic career spanning over 30 years, Seb Janiak has explored a remarkably diverse range of areas. From his matte paintings with their revolutionary new techniques and unique perspectives, Janiak has successfully preserved a sense of cohesion while covering the full range of possibilities offered by photography. Janiak started out as a young freelance graphic designer without specific aspirations to be an artist, who wanted above all to give free rein to his curiosity and to experiment with a piece of equipment which he discovered by chance and which opened up the possibility of creating stunning images.[…]
In 2005, after ten years of frenetic activity, major health problems forced Janiak to make radical lifestyle changes. At the height of his artistic powers, he resumed his experiments with photography, free from the constraints of commissioned work. Drawing inspiration for his work from a variety of sources over the years such as traditional oriental texts including the Tibetan Book of the Dead or the history of Western art, Janiak created strikingly powerful ensembles in which human figures were replaced by nature and ideas. Since 2009, Janiak has set new parameters on this research by restricting himself to the techniques of analog photography, namely double exposure, superimposition and photomontage.
—Paul Frèches, former gallerist and curator, currently cultural attaché at the Consulate general of France in Shanghai.
Opening reception: June 28 | 19:00–21:00
Image: Seb Janiak, Liquid 01, 2014 (Chromogenic print, 140 x 110 cm)